Private
Lessons
Lessons with Arthur are conducted weekly in the comfort of your own home or at Arthur’s convenient studio location in central Westchester.
Now offering lessons via Skype. Students from around the world are welcome! E-mail me to find out more.
All
Levels and Ages.
Beginners Are a Specialty.
Lessons Are Fun and Educational!
Call or email Arthur for more information:
arthur@rotfeld.com
914-948-1130
Teaching
Experience
Arthur, who holds NYS Certification in Music K–12, has taught
privately and in classroom situations at every grade level. He has
taught guitar, bass, piano, solfeggio, theory, music appreciation,
and other related subjects. He has over fifteen years of teaching
experience at places including The Institute for Schools of the
Future, Stamford Project Music, Palomba Music, SUNY Purchase, The
Abbott School, and The UFSD of the Tarrytowns. Arthur is now concentrating
on private music instruction. He has extensive experience as a performer
and teacher of jazz, rock, classical, blues, pop, country, folk,
and world styles.
Common Areas of Study
Beginning Guitar
— Get a great start by learning the basics of single-note
and chordal playing. Includes reading, technique, and repertoire.
Stylistic
Guitar — Learn the music you love. Build a repertoire
of your favorite songs and pieces. Understand the inner workings
and the approaches of your musical heroes. Often includes some elements
of improvisation, reading, and theory. (This is the path for many
teen and adult hobbyists.)
Intermediate
and Advanced Guitar — Become a guitar master.
Usually includes a combination of reading, technique, fingerboard
knowledge, music theory, improvisation, and repertoire.
Piano Lessons
— Piano is ideal as a first instrument for a child and allows them to begin private lessons at five or six years old. Students learn fundamentals from a variety of method books tailored to the individual's needs. All styles and levels. Young children and "returning" adults are a specialty.
Music
Theory — Understand the how and why of music.
Includes the elements of music, and melodic, rhythmic, and harmonic
analysis. (Great preparation for high school students entering university
and conservatory music programs.)
Composition
and Improvisation — Learn to unleash your creativity.
Create better music through study and analysis of masterworks. Learn
to apply the concepts of music theory in your own pieces and improvisations
while cultivating your own artistic judgment.
Ear
Training and Sight-Singing — Develop strong
musical skills. Learn to recognize scales, modes, melodic patterns,
intervals, and chords by ear. Learn to take melodic and rhythmic
dictation and learn to sing written music at sight.
Remember,
all lessons are taught with the student’s needs placed first
and foremost. Any areas of study can easily be combined or modified.
Teaching
Philosophy
First of all, anyone can play music. Arthur has had thousands of
students and never one without talent, never one who was “tone
deaf,” etc. As with any art, dedication on the part of the
student and teacher is most important for success. While many of
us will never be Mozarts or Coltranes or Claptons, we can all make
music, often at a level we never dreamed possible.
Results
are based on a combination of three points:
1.
Student’s Talent
We are all born with certain talents or gifts—we can’t
do anything to change this—which makes this the least important
of the three points. The greatest artists might be born with tremendous
talents, true, but they become artists through hard work and self-cultivation.
2.
Student’s Practice
As students we can practice diligently, with a proper focus, and
reach remarkable levels. Practice can make up for any lack of talent.
In fact, much of what people call “talent” is really
just the result of intense practice. Many “great talents”
rest on their laurels and never develop, while less gifted students
practice diligently and become consummate professionals. We can
control our practice and hence what level we eventually reach. Logic
dictates the basic idea: You get good at what you practice, so see
#3.
3.
Teacher’s Quality
A good teacher knows what works and can guide students on the right
path. The best teachers supply the right method, give encouragement,
and point the way toward improvement. We can choose our teachers
and hence what level we eventually reach.
Publishing
Experience
Arthur has worked for many years as an author and music editor.
His books have sold thousands of copies and have been translated
into many languages.
Selected
Instructional Titles by Arthur Rotfeld
from Cherry Lane Music
Jazz Guitar Voicings and Progressions
Classical Melodies for Guitar
Brian Setzer Legendary Licks
The Art of Kirk Hammett
The Art of Joe Satriani
The Art of James Hetfield
Soundgarden—Riff by Riff
Dave Matthews Band—Just the Riffs
Bush—Just the Riffs
Selected
Instructional Titles Edited by Arthur Rotfeld
from Cherry Lane Music
The Guitar Reference Guide Series
The Essential Skills Series
The Pocket Guide Series
From Hal Leonard
Albert King Signature Licks
Z.Z. Top Signature Licks
Joe Pass Signature Licks
The Police Signature Licks
Django Reinhardt Signature Licks
Basic Jazz Chords
Blues Rock Soloing
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